The University of Texas at Austin

Law in Popular Culture collection

ALSA Forum
Volume 5, Number 3 (1980)
reprinted by permission Legal Studies Forum

TUTT AND MR. TUTT: 
THE ARTHUR TRAIN STORIES REVISITED*

KARL T. PICULIN
University of Massachusetts, Amherst

                                  "Although men flatter themselves with their
                                   great actions, they are not so often the
                                   result of great design as of chance."
--La Rochefoucauld, as quoted      
in "The Human Element"      

     My copy of  Tutt and Mr. Tutt is a crisp 1946 paperback. In an age when 
new books drop their pages on the first opening, a well crafted tome is a marvelous 
thing.  The contents of Arthur Train's work also endure.
     In one sense, Tutt and Mr. Tutt, the first in the series of Arthur Train books,
reflects the attitude of La Rochefoucauld. Those people swollen with their "great
actions" regarding fame, money, or power are deflated by the gray, sage lawyer,
Ephraim Tutt. Tutt stands as both caricature and realistic character. He is a
blend of knowing and naive, noble and corrupt. He is devoted to the law, and he
simultaneously scorns it. He is a genuinely cantankerous champion of the people
whose legal victories are just as much the product of serendipity as they are re-
flections of his judicial skill.
     Train's book takes the form of a series of short stories, each dealing with an
extremely unusual legal case. Mr. Tutt, in each situation, is called upon to save

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a lost soul or to snatch a legal victory from the jaws of injustice. Often, Tutt
succeeds in his legal ventures, but he also blunders and fails from time to time.
He is only human, and we like him all the more for it.
     A legal principle lies at the core of each story. Tutt finds himself facing
bizarre, tangled situations, the type usually reserved for hypothetical law school
cases. He seems to get the clients no one else wants. Tutt is seen by his col-
leagues as eccentric and impractical, since he will not shun those cases which will
possibly hurt his social or economic standing in the community. Yet, they fear his
enthusiasm and unpredictable approaches. They don't want to face him in a court of
law. Tutt is driven, at times too much so, by his desire to do what's "right."
The reader admires him for his humanitarian concerns, even at the expense of pro-
fessional expediency.
     The stories are skillfully constructed and written in a flowing, lucid style.
They hold a place as solid literary achievement. But the most pertinent use for
these works may be as readings for a legal studies course. In more and more law
courses literature is playing an increasingly important role. Usually, teachers
turn to the literary "masters," and it is here that many students lose interest.
With this in mind, Tutt and Mr. Tutt serves as an excellent starting place for a
literature-based introductory law course.
     First off, Train's writing style will prove accurate and lively, helping
those students who feel that intelligent writing is directly related to the use of
a baffling vocabulary and tangled sentence: patterns. Train's phrases are crisp,
his words well chosen. The narrative Moves through a series of events in an
efficient, economical way.
     The subject matter itself holds great potential for classroom discussion and
written analysis, for each short story is built around an issue. In "The Human
Element," for example, Tutt is faced with the dilemma of defending the obviously
guilty. He tries to save a man who admits murder and is totally unrepentant. The

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old lawyer's ethical considerations raise questions related to the viability of the
law as a punative force.
     "Mock Hen and Mock Turtle" brings to life the uses and abuses of the "legal
loophole," subtly commenting on the nature of legal precision and definition. "The
Dog Andrew," one of the more humorous tales in the book, considers "intent." It
weaves an interestingly complex story around the issue of "spirit" versus "letter"
of the law.
     One of Train's favorite subjects is the corruption inherent in Big Business
and politics. Mr. Tutt encounters these two foes in "Wile Versus Guile," "The
Hepplewhite Tramp," and "Lallapaloosa Unlimited." Here, the plight of the common
man, the relatively powerless citizen, is portrayed. The inequities between the
moneyed and the poor are clearly and cleverly shown. In the end, there is an af-
firmation of the law's humanitarianism and equity, though this point is often made
in an ironic way. But in these episodes, Train does not settle for a rosy, cliched
ending, nor does he insist on a constant reaffirmation of the idea that justice will
triumph.
     Aside from all this, the stories are often very humorous, making use of a
variety of satirical approaches: fortunate accidents, clever reversals, and dialogue
which either understates or overstates. All these techniques work to make this an
extremely entertaining book.
"I protest against this piece of cruelty!" cried Tutt in a
voice vibrating with indignation. "This is worthy of the
Inquisition. Will not even the cross upon her breast protect
her from being compelled to reveal those secrets that are
sacred to wife and motherhood? Can the law thus indirectly
tear the seal of confidence from the confessional? Mr. O'Brien,
you go too far! There are some things that even you--brilliant
as you are--may not trifle with."
     A juryman nodded. The eleven others, being more intelligent,
failed to understand what he was talking about.
    But by no means is Train reducing the law to a flimsy satirical sketch, nor
is he using the legal profession as a random setting for his short stories.  Mr.

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Tutt is a firmly established, consistent figure. His flaws and virtues are shown
clearly, as are the flaws and virtues of the legal system. Train's underlying
theme is a search for equilibrium. The law, as pure theory, is unsound; the law
as the product of human judgment alone is also a frail thing. As Mr. Tutt says in
"The Hepplewhite Tramp,"
We provide a dual service to society ... we prevent the law
from making mistakes and so we keep it from falling into
disrepute, and we show up its weak points and thus enable
it to be improved.
And his associate, Tutt (who is no relation) replies:
... And incidentally, we keep many a future statesman and
prophet from going to prison.
     Again, aside from entertainment, the great value of this book lies in its use
as a legal studies reading. Each tale provides one or more philosophical questions
which can make for meaningful class exercises. The fact that these concepts are
framed in interesting stories makes them all the more accessible.
     The lessons are, for the most part, woven into Tutt and Mr. Tutt, but they also
emerge in the form, of dialogues. Mr. Tutt may go into an explanation of his views
on the relationship of crime and progress. His associate, Tutt, serving as Watson
did to Holmes, may challenge the concept. Thus inspired Mr. Tutt will launch
into a small oration:
Crime is unsuccessful defiance of the existing order of things.
Once rebellion rises to the dignity of revolution, murder becomes
execution and the murderers become belligerents. Therefore, all
real progress involves a change in or defiance of existing law,
those who advocate progress are essentially criminally minded, and
if they attempt to secure progress by openly refusing to obey the
law, they are criminals. Then if they prevail, and from being
in the minority come into power, they are taken out of jail, banquets
are given in their honor, and they are called patriots and heroes.
Hence, the close connection between crime and progress.
     Though written in 1915, these tales will prove less dated than many of the
sociological or legal readings of the '60s and early '70s (have you noticed that
your Freshmen students think "The Chicago Seven" is an NBA expansion team?).

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For the legal practicioner, the stories will be very entertaining. For those who have
read the stories years ago, revisiting them will be a pleasure.
     Tutt and Mr. Tutt deals with law and human nature. The interplay between con
artists, legal hucksters, unscrupulous businessmen and officials, the common man,
and of course the uncommon Ephraim Tutt, provides the cast of characters and in-
spires the parade of events. In the final analysis, the message of the book is one
of humanity. In the workings of society, law must be supple, sensitive enough to
change shape and react to the shifting spirit of the American people.   For Mr.
Tutt, the law is not a dusty set of codes that sit upon a shelf.

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* Bantam, 1946, 214 pages,  (Curtis Publishing Co., 1919; Charles Scribner's 
   Sons, 1920)